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User Details - mdt
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max de terra | |
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HiFi: |
SA-CD transport: Accuphase DP-100 Digital Pre-Amp: Accuphase DC-330 Power Amps : Accuphase P-1000 one stereo amp per speaker for bi-amping Speakers : B&W Nautilus 801 Cables : Audioquest Amazon,Everest Power- conditioning : Accuphase PS-1200 Power cords : Magic Line (seperate fuse to conditioner, components) Acoustic treatement of listening room : Applied Acoustics |
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744 |
Reviews |
Found: 2 |
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September 17, 2009
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Origin of the stereo-mix? Hi all, anyone know how the stereo remasters were done: Were original stereo-mixes remastered (but not remixed) or Were new stereo mixes created from multitrack session tapes (did they have that at the time?) or Has (worst case) an artificial stereo generating process been applied? regards, Max ... more | |
December 24, 2008
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I don't think Blue Ray should be a problem for SA-CD. In my view these are two different pairs of shoes. Blue Ray brings the advances in video recording technology to the end user and SA-CD does the same for pure audio. Both are the logical succesors for there predecessors DVD resp. CD. I believe these formats should exist in paralell just as CD ... more | |
December 24, 2008
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You are right,I appologize. I was actually writing to "the industry", not to you. Not really thinking I did it in response to your post, because you just happened to touch the point, that has been frustrating me so long with their behaviour. I very much encourage you to keep continuing to follow your artistical conscience against financial ... more | |
December 23, 2008
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Just by the way, concernig financial sense: the Pelleas recording I mentioned in my previous post has become a great artistic achievement selling (and creating revenue) until today, precisely because financial sense was not the holly grail during the production, that it is today. Other example: it seemed against all financial sense to record ... more | |
December 23, 2008
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This financial sense, financial sense, financial sense arguing makes me long for the time when for example Karajan used nearly an entire recording session, not recording a tone, untill he evoked precisisely the special sound he wanted from the strings to fit a few seconds long passage in Pelleas et Melisande. Where has that artistic longing for ... more |
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